When designing hospitality spaces, it has become imperative to focus on welcoming, inviting spaces that can support us in the most diverse tasks. Our versatile, elegant, and customizable solutions can help balance style and atmosphere while also maximizing the space’s functionality.

Catifa 46 is reinterpreted with a shell made using 100% recycled plastic, sourced from a blend of post-consumer and post-industrial waste. Discover Catifa (RE) 46 and join us in redefining beauty through sustainability!

The Catifa collections share an elegant and refined design while each exhibiting unique characteristics and distinctive features.

How can materials inspire new ways of living?
By choosing easily recyclable and rapidly renewable materials, and by finding creative ways to repurpose waste, we strive to set a benchmark in sustainable design.

Designed in 1951 in Bo Bardi’s adopted home of Brazil, the Bowl Chair is an icon of Lina Bo Bardi’s adaptive style. Balancing the worlds of industrialized fabrication and the individualized object, Bo Bardi envisioned the Bowl Chair as flexible in structure while universal and essential in form. But, as with all of Bo Bardi’s designs, the ultimate emphasis remains on the human interaction with the object.

In partnership with the Instituto Lina Bo e P.M. Bardi in São Paulo, we produced the Bardi’s Bowl Chair in a limited edition of 500 pieces.

Comprised of 29 layers of paper bonded with natural resin, PaperShell significantly reduces environmental impact by capturing carbon dioxide throughout its lifecycle. With Catifa Carta, we not only minimize our carbon footprint but also embrace the concept of circularity.

How does design foster dialogue with art and culture? Together, we discuss how the VFA residency program —Arper Feltrin Foundation’s inaugural project, conceived, founded, and launched by Eliisa Korpijärvi and Giulio Feltrin — bridges contemporary art, design, and architecture, shaping a dynamic, sustainable future for art and culture.​