Catifa 46 is reinterpreted with a shell made using 100% recycled plastic, sourced from a blend of post-consumer and post-industrial waste. Discover Catifa (RE) 46 and join us in redefining beauty through sustainability!

「待つこと」は、単なる必要性として捉えられがちで、そこに可能性があるとは考えられていません。Pausit（ポウジット） は、ただの待つためのベンチではなく、自分自身と向き合うための空間と言えるものです。そこに座る人の気持ちも体も落ち着き、再始動するための活力を養う時間を過ごすための空間を生み出すものです。

Life is in constant change. We live, work, pause, travel, in fluid and interconnected ways. Spaces are required to silently support us, to make us feel good as we move at our own pace. Each vignette of our stand highlights different scenarios — our Spaces To. These represent diverse ways of inhabiting and interacting with space, in the Arper style: functionality, elegance, color, and warmth.

Catifa Carta features a re-engineered shell made of PaperShell, a revolutionary new material derived from paper. It retains carbon dioxide captured by trees, significantly reducing the chair's environmental impact. At the end of its life, the material returns to nature as biochar, locking in the CO2.

How can materials inspire new ways of living?
By choosing easily recyclable and rapidly renewable materials, and by finding creative ways to repurpose waste, we strive to set a benchmark in sustainable design.

29枚の木質シートを層にして天然樹脂で接着したペーパーシェルは、製品のライフサイクル全体を通してCO2を吸収するという樹木の特性を生かすことで環境に及ぼす影響を劇的に軽減しています。 Catifa Cartaは、CO2排出量を最小限に抑えるだけでなく、資源を捨てずに循環させるという設計方法を実践しています。

How can design help to build a more responsible business and a more sustainable future? Find out what we’ve done and where we’re going.

How does design foster dialogue with art and culture? We explore this connection with Giulio Feltrin, Managing Director of Arper Feltrin Foundation, and former resident artists at Villa Filanda Antonini - Priss Niinikoski, Xiao Zhiyu, Davide Ronco.

How can we redefine beauty through circularity? In this episode we explore how the application of PaperShell to Catifa Carta is setting a new standard for circular design in the industry.​​